I first learned about Izak Algazi from Jako el Muzikante, who told me about this hazzan after a conversation about Izak Maçoro, who was our star some MBSs ago. 

So, after three editions with klezmer, I return to the Sephardic heritage and to some old music. Izak Algazi was mentioned quite recently in Ladinokomunita, a fascinating email group with participants discussing in Ladino, some natives of the languaje and other people that have learnt it, many of them quite devoted to the continuity of the languaje. They mentioned the presence of a street called Algazi in Izmir, name in his honour.

Izak Algazi was very recognized for his artistry during his life. He was the son of another well-known hazzan from Izmir, Salomon Algazi. Izak had a brilliant career in Turkey, he made many recordings for several record companies and even Mustafa Kemal, before becoming Atatürk, gave him an autographed Quran as a present.

Algazi left Turkey in 1933, as the chances for a Jewish to develope any position in public life started to dissapear in the process of turkification. He settled in Paris for 2 years to complete his rabbinical studies and moved to Montevideo in 1935, because he was invited to join the Sephardic Synagogue. Professor Edwin Seroussi, who knows his biography from at first-hand, has helped me to understand a bit better the situation that caused these events, so I thank him very much.

You can find a list of his recordings on SephardicMusic.org, website, where it is mentioned that he recorded this song in 3 occasions: 1909, 1912 and 1929. Below you can hear the last one. In this same link you can read a brief bio.

And what about the song of crippling love?

By the way, I have to thank Joshua Cheek for helping with the term of “crippling” and  some more tips of the English languaje. And I said it is a song of crippling love, because of the lyrics. And it is curious because Izak Algazi’s wife’s name was Reina!!! And reina means queen. The questions is that the lyrics say: